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The Voice of the Black Community

Arts and Entertainment

The emotional power of 'LUV'
Never has contributing to the delinquency of a minor been so wonderfully tragic and compelling. Sometimes 11-year-old Woody Watson (Michael Rainey Jr.) is a vulnerable kid: “Only one place I have is OK. Inside me where I can hide everything.”
 
Published Wednesday, January 23, 2013 11:30 am
by Dwight Brown

Review: 3 Stars

clientuploads/v38n13photos/LUV - NNPA.jpg
PHOTO/ BILL GRAY
Michael Rainey Jr. (left) and Common star in "LUV"

Never has contributing to the delinquency of a minor been so wonderfully tragic and compelling.

Sometimes 11-year-old Woody Watson (Michael Rainey Jr.) is a vulnerable kid: “Only one place I have is OK.  Inside me where I can hide everything.”

Other times he’s a little man, a baby gangsta. One morning he points a squirt gun at a mirror with a scowl on his face, “What you gon’ do?  I’m the man, I’ll kill you.”

Woody lives with his grandma (Lonette McKee) at her house in the Baltimore ‘burbs. His Uncle Vincent, nicknamed V (Common), has been “away” for eight years, and he’s shacking there, too.

V is caring and nurturing, when he’s not acting like a smooth-talking, well-dressed thug.  He dreams of opening a high-class crab joint, but dreams cost money.

Life changes for Wood the day V lets him skip school so he can show him the ropes, “You with me today,” V tells Woody. “I’m gonna teach you real work s—.” 

V’s trying to stay on the up and up, but devils from his past tug at him. In the middle of a drug war, a crime lord named Fish (Dennis Haysbert) and his cagey older brother Arthur (Danny Glover) scheme on V. A buddy named Caufield (Charles Dutton) tries to steer him in the right direction, but bad choices and circumstance pull him down harder than gravity.

There is something so disturbing about watching a child being initiated into a life of crime. This daring film does it with gruesome authenticity drawn from true, life experience. Sheldon Candis, director and co-writer, was just 9 years old when he rode shotgun with an older family member who was a purported drug dealer.

“During those rides, he would explain to me what it takes to be a man,” said Candis.  But can a child really comprehend adulthood? They can’t fathom the consequences of their actions. They just posture. In the film, Wood drinks, shoots a gun and scams like a 40-year-old, but he is clueless.

Candis and Justin Wilson’s screenplay starts off almost magical, like urban ghetto fairy dust. It becomes grim as Wood and his uncle descend into a merciless crime world that devours them.

V is like the devil, tempting an angel, yet he still has redeeming qualities and wisdom he imparts: He confirms that Wood knows Frederick Douglass taught other slaves to read, right there in Baltimore, saying to him, “When you think you can’t make it, think about your ancestors ‘cause that’s what’s in your spirit.”As a director, Candis has perfect instincts for urban storytelling. The gritty atmosphere he creates is so real you can taste the fresh Baltimore crabmeat, smell the streets and you flinch and duck when bullets fly.

If you liked the cable series “The Wire,” this is your cup of java. There’s a very refined blend of memorable dialogue, graphic action, silent moments, pained glances and eye-catching visuals.

Common the rapper becomes an actor capable of emoting and conveying deep feelings. He goes head to head with veteran thespians like Danny Glover, Charles Dutton and Dennis Haysbert. 

If there is a scene-stealer, it is the very endearing and natural Michael Rainey Jr.  He has acting chops far beyond his years and turns in a performance that is on par with Quvenzhané Wallis’ in Beast of the Southern Wild. When Rainey Jr. and Common get into their screaming matches, it’s powerful stuff.

Visit film critic Dwight Brown at www.dwightbrownink.com

 

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